Anita Lehmann Sorenson
April 24, 2020
Words
The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.
And one word transforms it into something less or other--
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.
Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper--
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.
The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always--
greater than ourselves and all the airy words we summon.
Dana Gioia
Words
The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.
And one word transforms it into something less or other--
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.
Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper--
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.
The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always--
greater than ourselves and all the airy words we summon.
Dana Gioia
April 23, 2020
April Prayer
Just before the green begins there is the hint of green
a blush of color, and the red buds thicken
the ends of the maple’s branches and everything
is poised before the start of a new world,
which is really the same world
just moving forward from bud
to flower to blossom to fruit
to harvest to sweet sleep, and the roots
await the next signal, every signal
every call a miracle and the switchboard
is lighting up and the operators are
standing by in the pledge drive we’ve
all been listening to: Go make the call.
Stuart Kestenbaum
April Prayer
Just before the green begins there is the hint of green
a blush of color, and the red buds thicken
the ends of the maple’s branches and everything
is poised before the start of a new world,
which is really the same world
just moving forward from bud
to flower to blossom to fruit
to harvest to sweet sleep, and the roots
await the next signal, every signal
every call a miracle and the switchboard
is lighting up and the operators are
standing by in the pledge drive we’ve
all been listening to: Go make the call.
Stuart Kestenbaum
April 23, 2020
Special Problems in Vocabulary
There is no single particular noun
for the way a friendship,
stretched over time, grows thin,
then one day snaps with a popping sound.
No verb for accidentally
breaking a thing
while trying to get it open
—a marriage, for example.
No particular phrase for
losing a book
in the middle of reading it,
and therefore never learning the end.
There is no expression, in English, at least,
for avoiding the sight
of your own body in the mirror,
for disliking the touch
of the afternoon sun,
for walking into the flatlands and dust
that stretch out before you
after your adventures are done.
No adjective for gradually speaking less and less,
because you have stopped being able
to say the one thing that would
break your life loose from its grip.
Certainly no name that one can imagine
for the aspen tree outside the kitchen window,
in spade-shaped leaves
spinning on their stems,
working themselves into
a pale-green, vegetable blur.
No word for waking up one morning
and looking around,
because the mysterious spirit
that drives all things
seems to have returned,
and is on your side again.
Tony Hoagland
Special Problems in Vocabulary
There is no single particular noun
for the way a friendship,
stretched over time, grows thin,
then one day snaps with a popping sound.
No verb for accidentally
breaking a thing
while trying to get it open
—a marriage, for example.
No particular phrase for
losing a book
in the middle of reading it,
and therefore never learning the end.
There is no expression, in English, at least,
for avoiding the sight
of your own body in the mirror,
for disliking the touch
of the afternoon sun,
for walking into the flatlands and dust
that stretch out before you
after your adventures are done.
No adjective for gradually speaking less and less,
because you have stopped being able
to say the one thing that would
break your life loose from its grip.
Certainly no name that one can imagine
for the aspen tree outside the kitchen window,
in spade-shaped leaves
spinning on their stems,
working themselves into
a pale-green, vegetable blur.
No word for waking up one morning
and looking around,
because the mysterious spirit
that drives all things
seems to have returned,
and is on your side again.
Tony Hoagland
April 23, 2020
I’ve been thinking about the way, when you walk
Down a crowded aisle, people pull in their legs
To let you by. Or how strangers still say, “bless you”
When someone sneezes, a leftover
From the bubonic plague. “Don’t die,” we are saying,
And sometimes, when you spill lemons
From your grocery bag, someone else will help you
Pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
And to say thank you to the person handing it. To smile
At them and for them to smile back. For the waitress
To call us honey when she sets down the bowl of clam chowder,
And for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
From tribe and fire. Only these brief moments of exchange.
What if these are the true dwelling of the holy, these
Fleeting temples we make together when we say, “Here,
Have my seat,” “Go ahead—you first,” “I like your hat.”
Danusha Laméris, The Moons of August
I’ve been thinking about the way, when you walk
Down a crowded aisle, people pull in their legs
To let you by. Or how strangers still say, “bless you”
When someone sneezes, a leftover
From the bubonic plague. “Don’t die,” we are saying,
And sometimes, when you spill lemons
From your grocery bag, someone else will help you
Pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
And to say thank you to the person handing it. To smile
At them and for them to smile back. For the waitress
To call us honey when she sets down the bowl of clam chowder,
And for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
From tribe and fire. Only these brief moments of exchange.
What if these are the true dwelling of the holy, these
Fleeting temples we make together when we say, “Here,
Have my seat,” “Go ahead—you first,” “I like your hat.”
Danusha Laméris, The Moons of August
April 20, 2020
It Felt Love
How
Did the rose
Ever open its heart
And give to this world
All its
Beauty?
It felt the encouragement of light
Against its
Being,
Otherwise,
We all remain
Too
Frightened.
Hafiz
It Felt Love
How
Did the rose
Ever open its heart
And give to this world
All its
Beauty?
It felt the encouragement of light
Against its
Being,
Otherwise,
We all remain
Too
Frightened.
Hafiz
April 16, 2020
Praise Song for the Day
Each day we go about our business,
walking past each other, catching each other’s
eyes or not, about to speak or speaking.
All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.
Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.
Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.
A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.
We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.
We cross dirt roads and highways that mark
the will of someone and then others, who said
I need to see what’s on the other side.
I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?
Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.
In today’s sharp sparkle, this winter air,
anything can be made, any sentence begun.
On the brink, on the brim, on the cusp,
praise song for walking forward in that light.
Elizabeth Alexander
Each day we go about our business,
walking past each other, catching each other’s
eyes or not, about to speak or speaking.
All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.
Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.
Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.
A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.
We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.
We cross dirt roads and highways that mark
the will of someone and then others, who said
I need to see what’s on the other side.
I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?
Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.
In today’s sharp sparkle, this winter air,
anything can be made, any sentence begun.
On the brink, on the brim, on the cusp,
praise song for walking forward in that light.
Elizabeth Alexander
April 14, 2020
Today
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
Billy Collins
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
Billy Collins
April 13, 2020
Just lying on the couch and being happy.
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.
People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.
Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.
Later in the day you can act like the others.
You can shake your head. You can frown.
-William Stafford, Any Morning
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.
People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.
Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.
Later in the day you can act like the others.
You can shake your head. You can frown.
-William Stafford, Any Morning
Easter Day - April 12, 2020
Exalted Manna
I love to lift you in the Eucharist,
For you descended to the depth for me,
You stooped beneath the whole weight of the world,
And held it as the nails drove through each wrist,
You Held us all through your long agony,
Held all the taunts and curses that we hurled
Held all our hurts deep in your heart for healing
And when we lifted you onto your cross
You lifted all of us up to the Father
And made your outspread arms a sign, revealing
God’s all-sustaining love, that bears our loss,
Becomes our daily bread, calls as to gather
Each love, as manna in the wilderness.
So lift me as I lift you, lift and bless.
George Herbert
I love to lift you in the Eucharist,
For you descended to the depth for me,
You stooped beneath the whole weight of the world,
And held it as the nails drove through each wrist,
You Held us all through your long agony,
Held all the taunts and curses that we hurled
Held all our hurts deep in your heart for healing
And when we lifted you onto your cross
You lifted all of us up to the Father
And made your outspread arms a sign, revealing
God’s all-sustaining love, that bears our loss,
Becomes our daily bread, calls as to gather
Each love, as manna in the wilderness.
So lift me as I lift you, lift and bless.
George Herbert
Easter Day - April 12, 2020
April 10, 2020
This is the Time to Be Slow
This is the time to be slow,
Lie low to the wall
Until the bitter weather passes.
Try, as best you can, not to let
The wire brush of doubt
Scrape from your heart
All sense of yourself
And your hesitant light.
If you remain generous,
Time will come good;
And you will find your feet
Again on fresh pastures of promise,
Where the air will be kind
And blushed with beginning.
John O'Donohue
This is the Time to Be Slow
This is the time to be slow,
Lie low to the wall
Until the bitter weather passes.
Try, as best you can, not to let
The wire brush of doubt
Scrape from your heart
All sense of yourself
And your hesitant light.
If you remain generous,
Time will come good;
And you will find your feet
Again on fresh pastures of promise,
Where the air will be kind
And blushed with beginning.
John O'Donohue
April 10, 2020
Adrift
Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
Mark Nepo
Adrift
Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
Mark Nepo
April 5, 2020
Things that have almost always been
Cliffs. Tree ferns. Companionship. Sky. The man in the moon. The sentimentality of sunrises and sunsets. Eternal love. Dizzy lust. Abandoned plans. Regret. Cloud-less night skies. Full moons. Morning kisses. Fresh fruit. Oceans. Seas. Tides. Rivers. Lakes as still as mirrors. Faces Full of friendship. Comedy. Laughter. Stories. Myths. Songs. Hunger. Pleasure. Sex. Death. Faith. Fire. The Deep silent goodness of the observing self. The light made Brighter by the dark around it. Eye contact. Dancing. Meaningless conversation. Meaningful silence. Sleep. Dreams. Nightmares. Monsters made of shadows. Turtles. Starfish. The fresh green of wet grass. The bruised purple of clouds at dusk. The wet crash of waves on slow-eroding Rocks. The dark slick shine of wet sand. The gasping relief of a thirst-quenched. The terrible, tantalizing awareness of Being alive. The now that forever is made of. The possibility of hope. The promise of home.
Matt Haig
Cliffs. Tree ferns. Companionship. Sky. The man in the moon. The sentimentality of sunrises and sunsets. Eternal love. Dizzy lust. Abandoned plans. Regret. Cloud-less night skies. Full moons. Morning kisses. Fresh fruit. Oceans. Seas. Tides. Rivers. Lakes as still as mirrors. Faces Full of friendship. Comedy. Laughter. Stories. Myths. Songs. Hunger. Pleasure. Sex. Death. Faith. Fire. The Deep silent goodness of the observing self. The light made Brighter by the dark around it. Eye contact. Dancing. Meaningless conversation. Meaningful silence. Sleep. Dreams. Nightmares. Monsters made of shadows. Turtles. Starfish. The fresh green of wet grass. The bruised purple of clouds at dusk. The wet crash of waves on slow-eroding Rocks. The dark slick shine of wet sand. The gasping relief of a thirst-quenched. The terrible, tantalizing awareness of Being alive. The now that forever is made of. The possibility of hope. The promise of home.
Matt Haig
April 2, 2020
This is the Time to Be Slow
This is the time to be slow,
Lie low to the wall
Until the bitter weather passes.
Try, as best you can, not to let
The wire brush of doubt
Scrape from your heart
All sense of yourself
And your hesitant light.
If you remain generous,
Time will come good;
And you will find your feet
Again on fresh pastures of promise,
Where the air will be kind
And blushed with beginning.
John O'Donohue
This is the time to be slow,
Lie low to the wall
Until the bitter weather passes.
Try, as best you can, not to let
The wire brush of doubt
Scrape from your heart
All sense of yourself
And your hesitant light.
If you remain generous,
Time will come good;
And you will find your feet
Again on fresh pastures of promise,
Where the air will be kind
And blushed with beginning.
John O'Donohue
April 1, 2020
Adrift
Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
Mark Nepo
Everything is beautiful and I am so sad.
This is how the heart makes a duet of
wonder and grief. The light spraying
through the lace of the fern is as delicate
as the fibers of memory forming their web
around the knot in my throat. The breeze
makes the birds move from branch to branch
as this ache makes me look for those I’ve lost
in the next room, in the next song, in the laugh
of the next stranger. In the very center, under
it all, what we have that no one can take
away and all that we’ve lost face each other.
It is there that I’m adrift, feeling punctured
by a holiness that exists inside everything.
I am so sad and everything is beautiful.
Mark Nepo
March 25, 2020
